Creating art has become a deeply personal way for me to confront and navigate my short-term memory loss, a condition I have lived with since childhood. My process begins with a careful search through the fragmented traces of my early years, piecing together what remains. I often turn to old photographs, which offer a powerful sense of familiarity while also carrying an air of mystery like glimpsing the past through delicate lace curtains that are both obscure and revealing. My memory is not entirely absent, but instead exists in a fluid state, constantly shifting and reshaping itself through my studio practice. Through making art, I attempt to rebuild and reinterpret what feels unstable or incomplete. At the same time, I accept that some fragments will always resist clarity, remaining unresolved. These gaps do not weaken my work; rather, they introduce an enduring depth, allowing uncertainty and imagination to coexist within each piece I create.